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Sorry, Your Art is Too Hot to Ignore

Sorry, Your Art is Too Hot to Ignore

January 3 - January 4, 2026

13  Grattan  St,  #402,  Brooklyn,  NY, 11206

January 3 - January 4, 2026

13  Grattan  St,  #402,  Brooklyn,  NY, 11206

January 3 - January 4, 2026

13  Grattan  St,  #402,  Brooklyn,  NY, 11206

Artists

Tanna Fiore
Clayton Harris
Jennifer Prevatt
Tsuyoshi Suzuki

Jury

Zhiheng Gong

New York, NY — A Space Gallery is pleased to present “Sorry, Your Art Is Too Hot to Ignore”, a juried group exhibition by artists Tanna Fiore, Clayton Harris, Jennifer Prevatt and Tsuyoshi Suzuki whose practices operate at the edge of contemporary image-making, material experimentation, and conceptual inquiry. Rather than aligning around a shared medium or aesthetic, the exhibition foregrounds works that actively test the limits of form,authorship, and perception in the present moment.

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Across painting, sculpture, and video, the works in the exhibition engage with processes of transformation—material, psychological, and cultural. They reflect a generation of artists working within conditions shaped by digital saturation, inherited visual systems, and heightened awareness of power, desire, and control. “Cutting edge” here is understood not as stylistic novelty, but as a sustained commitment to questioning how images, objects, and bodies are constructed and circulated.

Tanna Fiore presents the video work ALL I WANT IS VULGARITY, an examination of excess, commodified desire, and emotional desensitization. Working across performance and synthesized sound, Fiore constructs a fragmented visual language of luxury, armor, and spectacle. The work interrogates how systems of power normalize domination and pleasure, revealing a state of material abundance that is simultaneously hollow and isolating.

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Clayton Harris presents gore (creation) and performative study. Working with acrylic, silkscreen, image transfer, and collage, Harris explores figurative and textual imagery shaped by the digital age. His paintings examine how meaning and identity are assembled through repetition, mediation, and performance, reflecting the instability of contemporary image culture.

Jennifer Prevatt contributes The Oracle, a fully three-dimensional paper sculpture informed by fairy tales and mythological archetypes. Trained in scientific illustration, Prevatt combines meticulous craftsmanship with symbolic narratives to explore themes of sexuality, mortality, and transformation. Unlike her relief-based works, The Oracle is viewable from all angles, emphasizing spatial experience and bodily movement as integral to interpretation.

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Tsuyoshi Suzuki presents Time Tangle – 06, created through his self-developed method, “Drawing with Rust on Steel.” Using oxidation as both material and process, Suzuki allows time, chance, and decay to inscribe themselves onto the surface. The resulting portrait resists fixity, embedding duration directly into the work and challenging conventional distinctions between drawing, painting, and sculpture.

Together, the artists in “Sorry, Your Art Is Too Hot to Ignore” articulate a shared refusal to settle into fixed visual languages. The exhibition frames cutting-edge practice as an ongoing process of negotiation—between material and image, control and exposure, structure and collapse—inviting viewers to engage with works that remain unresolved, provisional, and critically embedded in the present.

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Installation View
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